![]() There are also photos of other designer's works, without crease-patterns. The book opens with a gallery of designs, with tiny crease-patterns for Kamiya's, Hideo Komatsu's and Hojyo Takashi's works. ![]() This part concludes in an in-depth analysis of the Ryujin 3.5 crease-pattern, which is included in the beginning of the book. ![]() Part 3: Advanced Techniques - delves into wet-folding, back-coating and making tissue-foil, understanding crease-patterns and showing some theories. Shuki Kato’s Zoanoid Dragon is another one of the most impressive origami dragons that I’ve seen. Crease pattern available from the Origami Forum. Part 2: Practice - shows how to cut paper, make accurate creases, handle more complex moves, allow for paper-thickness in folding, and examines display techniques such as shaping, strengthening the model with glue and using wire for display. Ryujin 2.1, Designed by Satoshi Kamiya and Folded by Xu Daniel. This book is worth every penny you spend on it, a bit more. Part 1 : Basics - discusses tools needed for folding (from rulers to tweezers, clips, display tools, wet-folding essentials etc.), describes different types of papers, and explains the basic symbols. I do recommend making tissue foil paper for these designs due to the amount of folds some require. As all this text is in Japanese I cannot make much of it, but everything is accompanied with many drawings and photos which give insights to the meaning of the text. What the book is about is the process of folding, techniques, crease-pattern interpretation etc. The few full diagrams in it have actually already been published before, albeit in hard-to-find sources. Satoshi Kamiya's new book is not a typical diagram book.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |